The comic “Contract with God” is an interesting read all of
its own, and makes for a good character study piece. And the art style of it
also helps convey the deep and personal story in it, as well as telling the
environment and flow of the story. In the first few pages the scenery is these
large apartment buildings that are categorized by their downwards shading, the
pen-strokes guiding the eye down which is best seen in PDF format, allowing a
certain flow to aid the reading. The method of the pen work also aids to
setting the mood, their just barely offset lines putting just enough hint of
unease in the person which is only echoed by what is quickly reveled. The pen
work only gets more and more dynamic as the story goes on, the quick strokes
help echo the rage and anger felt by Frimme Hersh, but soon settle into thicker
lines and blocks in the middle with the quicker strokes liking the boarders of
the scenes, but filling the space at the same time. this helps with showing the
characterization of the man, who is rich beyond belief now, but still angry at
his core, feeling as though his god had broken a contract and betrayed him.
this only becomes more clear as towards the end the angry lines start to take
up the majority of the pages, his rage spilling over with glee, thinking he
finally has gotten what he wanted. The only time these lines disappear is at
the end when Shloime Khreks finds the contract and agrees to it with no hate or
malice in his heart.
No comments:
Post a Comment